Monday, April 30, 2012
Chat Placeholders
Thursday, March 15, 2012
Sound card controls for VoIP patching
Here is an updated graphic with notes showing the results of my further testing of VoIP phone patching. I found it convenient to keep both sets of controls open, side-by-side, while using my headset (connected to the PC sound card (analog) jacks. Click on the graphic below for a larger view.
In general, the Recording settings (right side of graphic) control the audio going TO the distant VoIP party, on a phone call or Skype session, for example. The Playback settings (left side) control:
In general, the Recording settings (right side of graphic) control the audio going TO the distant VoIP party, on a phone call or Skype session, for example. The Playback settings (left side) control:
- the distant party's VoIP audio going to the transmitter
- the local operator's headset microphone audio going to the transmitter
- the receiver audio going to the local headset and to the distant VoIP party
Wednesday, March 7, 2012
VoIP Patch Update
I've done off-air testing of my previously-successful VoIP phone patching using a younger PC (Pentium 4, 2.8 GHz). Here is an annotated screen shot that shows the sound card settings along with Skype audio settings. I'll use the three control panels shown during on-air operations while I verify the best configuration. Previously I have used only the Gmail Call Phone VoIP application. The younger PC has the CPU power needed to run Skype. The older Pentium 3, 600 MHz PC could manage Gmail Call Phone (Google voice) at 76 to 100% CPU utilization.
Click on the image below for a full sized view.
Click on the image below for a full sized view.
Saturday, February 25, 2012
Tuesday, January 10, 2012
Test Tone Waveforms
The test tone files shared by Carl can be used to illustrate the capabilities of the free, cross-platform audio editing program Audacity. Below is a screen shot showing the 3 individual tone waveforms and the composite waveform, as displayed in the program. The tones were of 30-second duration, but this display is zoomed in to about .06 second to make the waveform shapes clearly visible. Click on the image to enlarge.
Audacity also has a frequency analysis tool that produces a plot of amplitude vs. frequency for up to 23.8 seconds selected from a waveform. Below is a screen shot showing the analysis of the composite waveform, with the 3 peaks corresponding to the individual notes (C, E, G) or frequencies contained in the composite. Click on the image to enlarge.
This program, like others of its kind, enables a user to record audio entering a PC's sound card, and to perform edits on all or portions of a recording. Such simple edits as copy/cut & paste, and amplitude changes can be done with the same ease as their equivalents in a word processing program. Many other editing functions are included.
Audacity also has a frequency analysis tool that produces a plot of amplitude vs. frequency for up to 23.8 seconds selected from a waveform. Below is a screen shot showing the analysis of the composite waveform, with the 3 peaks corresponding to the individual notes (C, E, G) or frequencies contained in the composite. Click on the image to enlarge.
This program, like others of its kind, enables a user to record audio entering a PC's sound card, and to perform edits on all or portions of a recording. Such simple edits as copy/cut & paste, and amplitude changes can be done with the same ease as their equivalents in a word processing program. Many other editing functions are included.
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